DIAMONDS ARE FOREVER O.S.T. - Diamonds Are Forever O.S.T. | latinclub.nu.au | Music. Reviewed in the United Kingdom on 5 January Five Stars. Reviewed in Germany on 10 April Unter den weltbesten Soundtracks befinden sich auch immer die der James-Bond-Filme. Monty Norman machte das. Diamonds are Forever (James Bond , Band 4): latinclub.nu: Fleming, Ian, Foden, I'm not convinced by Victor's review that the villains lack menace and it is.
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Diamonds Are Forever Review Common Sense says Video#104 - James Bond Retrospective 007 - Diamonds are Forever (1971) Review - Crawford-Clark Close-Up Reviewed in Germany on 10 April Unter den weltbesten Soundtracks befinden sich auch immer die der James-Bond-Filme. Monty Norman machte das. Find helpful customer reviews and review ratings for Dean Martin, Mamas/Papas, Bisher besaß ich den Score von John Barry zu "Diamonds are forever" als. DIAMONDS ARE FOREVER O.S.T. - Diamonds Are Forever O.S.T. | latinclub.nu.au | Music. Reviewed in the United Kingdom on 5 January Five Stars.
Fittingly, the plot seems to drift in and out, like ground-fog or the frequency of a long-distance radio broadcast.
Bond is on the trail of diamond smugglers and the trail leads him first to obligatory Bond girl Tiffany Case Jill St John , who keeps changing her hair colour, and thence to the upper-crust Blofeld Charles Gray , who plans to hold the planet to ransom and auction nuclear supremacy to the highest bidder.
The film comes into its own during its extended middle portion, played out amid the casinos, circuses and funeral parlours of Las Vegas.
This is an upside-down, hall-of-mirrors landscape in which an elderly hoodlum is booked to perform a standup show at 6pm and where a pair of dubious gay killers skip hand-in-hand through the desert beyond town I like to see this as 's touching concession to the Stonewall era.
Much of the action, meantime, pivots around the invisible figure of Willard Whyte, a thinly-veiled Howard Hughes, gone to ground in the penthouse suite of the palatial "Whyte House" and apparently running business from a bank of phones while sitting on the toilet — much as Lyndon Johnson is reputed to have done.
The reminder, though, only adds to the suspicion that it is and he is — and that we are basically adrift in a corroded parallel America in which Vegas plays Washington DC and the moon landings are mocked up on a neighbouring sound-stage.
Reading this on mobile? Click here to view trailer. Is this the western democracy that is fighting to preserve? If so, his mission appears fatally hobbled from the opening credits.
If so, moreover, nobody around him gives much of a damn. After stumbling across the moon-landing set, our hero boosts a car and lights out across town with the Vegas cops in hot pursuit.
In the midst of the chase, director Guy Hamilton suddenly, devilishly, opts to cut away to show the chase from the gloomy interior of a Fremont Street arcade.
Inside, under glass, the tourists are lined up like zombies at the slot-machines , utterly oblivious to the screeching tyres and wailing sirens just yards from their heads.
No doubt each era gets the Bond it deserves. Cubby Broccoli's franchise started out in the early 60s fired by a sleek moral certitude, prowling a world of clearly defined good and evil before slipping into jokey self-parody during the mid-to-late 70s.
Diamonds, though, is the missing link, the crucial transition; ideally placed at the turn of the decade and implicitly haunted by noises off in the nation at large.
Here is a Bond film in which the old glamour has lost its sparkle and the resolute hero has lost his way. It's jaded, uncertain and disillusioned.
It's vicious, mordant, at times blackly comic. It's oddly brilliant, the best of the bunch: the perfect bleary Bond film for an imperfect bleary western world.
Favourite line: I do like "Alimentary, Dr Leiter" Bond's neat response when asked the whereabouts of the diamonds on Peter Franks' body. But my real favourite is Jill St John's caustic rejoinder to the little boy at the water-balloon stand: "Blow up your pants!
Variety Staff. Assorted ladies, a few quick lines, and one good chase, making for a mediocre entry in the series. Dave Kehr.
The movie's momentum is such that one never has much time to react to its lack of reason, only to its sensations of speed and narrow escape, and to the splendor of its crazy gadgets and dcor.
Vincent Canby. We see different movies for different reasons, and Diamonds Are Forever is great at doing the things we see a James Bond movie for.
Roger Ebert. Diamonds Are Forever might not be the greatest showcase for Connery's talents, but it's still an enjoyable outing in its own right, one that values humor over thrills.
Jake Tropila. This might be the last time for another several features that Bond actually feels like a secret agent. Mike Massie.
Maybe I'm doing Diamonds a disservice. There are some fun moments and some silly moments that I can't defend like multiple Blofelds but sadly I felt cheated and still do on what this film could have been.
Kelechi Ehenulo. How good it was to see the gadgets again, the gymnastic grace of the fantasy-violence, the comedy of the imaginary sex, and that quality of the Bond pictures at their best which I can only call geniality.
Thomas Berger. Has some dramatic merit and is one of the better films in the entire franchise. PJ Nabarro. The script is poor, the comedy ill-timed and the ending anticlimactic.
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Diamonds Are Forever Critics Consensus Diamonds are Forever is a largely derivative affair, but it's still pretty entertaining nonetheless, thanks to great stunts, witty dialogue, and the presence of Sean Connery.
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How did you buy your ticket? View All Photos Movie Info. While investigating mysterious activities in the world diamond market, Sean Connery discovers that his evil nemesis Blofeld Charles Gray is stockpiling the gems to use in his deadly laser satellite.
With the help of beautiful smuggler Tiffany Case Jill St. John , Bond sets out to stop the madman -- as the fate of the world hangs in the balance! Guy Hamilton.
Albert R. Broccoli , Harry Saltzman. Oct 1, Danjaq Productions. James Bond Jill St. John Tiffany Case. Lana Wood Plenty O'Toole.
Jimmy Dean Willard Whyte. Bruce Cabot Saxby. Bruce Glover Mr. Putter Smith Mr. Bernard Lee M. Lois Maxwell Moneypenny. Guy Hamilton Director. Ian Fleming Writer Novel.
Richard Maibaum Writer. Tom Mankiewicz Writer. Broccoli Producer. Harry Saltzman Producer. Stanley Sopel Associate Producer.
John Barry Original Music. Ted Moore Cinematographer. Bert Bates Film Editor. Bonding with Bond, Day Quantum of Solace. October 13, Full Review….
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